Midsommer (2019)
Traumatised to come to terms with an appalling family tragedy, the American graduate student, Dani, turns to her self-centred and distant boyfriend, Christian, against the backdrop of a break-up.
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In Fabric (2019)
Sheila Woodchapel is a recently divorced bank teller who lives with her son Vince. She is frequently chastised for insignificant work errors by her bosses Stash and Clive and intimidated by Vince’s new girlfriend Gwen. She visits department store Dentley and Soper’s to buy a dress for an upcoming date in the sales.
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Uncut Gems (2019)
A charismatic New York City jeweler always on the lookout for the next big score, makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides, in his relentless pursuit of the ultimate win. Adam Sandler plays a brash, compulsive New York City jeweler and gambler in the latest from the Safdie brothers.
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Waves (2019)
Tyler Williams is a popular high school senior on the wrestling team. Outside of school, he parties with his friends and spends time with his girlfriend, Alexis Lopez, but is routinely pushed by his domineering father Ronald both physically and mentally to be better. His stepmother Catharine is more understanding of Tyler’s pressures and tries her best to connect with him.
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The Lighthouse (2019)
“The Lighthouse,” the second feature directed by Robert Eggers (“The Witch”), is a gripping and turbulent drama that draws on a number of influences, though it merges them into its own fluky gothic historical ominoso art-thriller thing.
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The Farewell (2019)
A headstrong Chinese-American woman returns to China when her beloved grandmother is diagnosed with terminal cancer. Billi struggles with her family’s decision to keep grandma in the dark about her own illness as they all stage an impromptu wedding to see grandma one last time.
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The Souvenir (2019)
Julie (Honor Swinton Byrne) is a young film student living in London. She comes from a privileged background and wants to make a film about a young boy and his mother in a much poorer part of the city, though has trouble articulating exactly what it’s going to be to her professors. She spends her days going to class and attending parties with her film school friends. When her roommate moves out, she has a nice apartment all to herself.
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Under the Silver Lake (2019)
Sam is an affable but aimless young man with an interest in conspiracy theories and finding hidden messages in everyday popular culture, who lives a lazy, jobless life in Los Angeles. One day he meets and develops a crush on his new neighbour Sarah. She tells him to come back the next day, but when he does, she and her roommates all seemingly moved out during the night.
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High Life (2019)
Deep space outside the solar system. Monte and his daughter Willow live together aboard a spacecraft, in complete isolation. A man whose strict self-discipline is a shield against desire, Monte fathered her against his will. His sperm was used to inseminate the young woman who gave birth to her.
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Gloria Bell (2019)
Like Michael Haneke before him, Sebastian Lelio has attempted that most boldly self-referential of acts – or, some might argue, the most onanistic – and remade, pretty much shot-for-shot, one of his past films. Gloria Bell is an English-language reworking of Gloria, the director’s 2013 drama of middle-age malaise. Here the action is relocated from Santiago to Los Angeles, with Julianne Moore replacing Berlin best actress winner Paulina García as the titular character, a fifty-something divorcee negotiating the choppy waters of pre-retirement life.
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