A Million Minutes (2024)

A Million Minutes (2024)

Taglines: A Family’s Journey of Self-Discovery.

A Million Minutes movie storyline. From the outside, the Küper family, consisting of mother Vera, father Wolf and the children Nina and Simon, leads a dream life in their beautiful apartment in Berlin. He is pursuing a career as a biodiversity researcher and expert for the United Nations, while his wife, in addition to keeping house and children, also has a job as a civil engineer with a focus on sustainability. However, triggered by an idea from their daughter, the Küpers decide to travel for 694 days, or a million minutes. First they fly to Thailand, then to Iceland.

One Million Minutes is a feature film by Christopher Doll that was released in German cinemas on February 1, 2024. The film with Karoline Herfurth and Tom Schilling in the roles of a financially well-off couple of parents from Berlin-Mitte who embark on an almost two-year journey with their two children is based on the autobiographical novel of the same name by Wolf Küper.

The film received production funding of 826,520 euros from the German Film Fund, 800,000 euros from the Medienboard Berlin-Brandenburg, 600,000 euros from the Filmförderanstalt and 250,000 euros from the Film FernsehenFonds Bayern. The German Film Fund also granted distribution funding of 300,000 euros, and the Film FernsehenFonds Bayern awarded 50,000 euros. Filming took place between mid-February and early May 2023 in Berlin, Thailand and Iceland. The Austrian Andreas Berger acted as cameraman.

A Million Minutes (2024)

Film Review for A Million Minutes

I remember watching Richard Linklater’s ‘Boyhood’ as a teenager. At the time, the character arc of its young protagonist resonated with me on a deeper level. As I have grown older, I can connect far more with his parents, who were also on their journeys of growth and character development. “A Million Minutes” (Original title: Eine Million Minuten) feels quite similar in that regard. It is also about a couple that goes through their own journey of growth as the kids do. The film is full of well-meaning, sunny optimism that feels rare these days.

Based on a true story, “Eine Million Minuten” follows Vera (Karoline Herfurth) and Wolf Küper (Tom Schilling), a young married couple with two children – Nina and Simon. Wolf works at the UN as a passionate voice to save the Earth from an utter collapse. Vera, on the other hand, stays home taking care of their kids, abandoning her hopes of having a career in eco-centric architecture. With all the parenting burden falling on her shoulders, she grows even more frustrated.

Wolf neglects most matters beyond his professional ambitions. So, it starts affecting their relationship. Around this time, he and Vera learn about Nina’s motor disorder diagnosis with no clear solution at hand. For her to have a healthy childhood, they need to help Nina explore and understand the world. So, to prove his commitment to the family, Wolf decides to take a leap of faith. On a whim, he plans to start working remotely and travel around the world. To afford the expensive trip, he suggests selling all their inessential belongings. Vera is taken aback by his sudden decision, and she agrees.

A Million Minutes (2024)

Once they leave their home country, Germany, they start facing multiple issues. From poor internet networks to sudden climate change, they face all the predictable conflicts. Wolf and Vera’s earlier arguments resurface since Wolf still cannot balance between his familial and professional responsibilities. He either misses his meetings or misses the chance to witness their kids’ formative years. His time gets divided into worrying about the future of his family and that of the planet.

Throughout the film, there’s an underlying discussion about gender politics somewhat similar to Ruben Ostlund’s “Force Majeure.” “Eine Million Minuten” doesn’t take the form of a biting satire but of casual discussions that affect their relationship. When back home, he behaves according to the traditional gender norms. His behavior is partially a result of his father’s orthodox expectations of a successful son. Only after moving out of the country did he start realizing his flaws.

With their newfound realizations, the parents mature and learn to accept their reality while going through some rough patches. Even though it is a family drama, “Eine Million Minuten” operates in the vein of inspirational, life-affirming dramas like “Into the Wild.” Its premise also rests upon the desire to uproot the usual way of living and explore life by the beat. So, it feels warm, fuzzy, and inspiring. Surprisingly, it sustains its feel-goodness throughout its runtime.

Inspired by a true story, the film is made with an earnest intent. Its coming-of-age arcs feel emotionally earned despite the obviousness of some of its conflicts. However, you can’t help but wonder whether such a no-back-up-plan life is possible for those without a privilege as theirs, without jobs to go back to whenever they please, without financially stable parents, or without having the skin color that is widely accepted everywhere across the globe.

Besides, some of the film’s needle-drop moments feel incredibly embarrassing since they literally say what a character is feeling. ‘Way Down We Go’ starts playing right when a character is feeling down in his life and literally goes down, i.e., underwater! They feel too on-the-nose and hackneyed. At times, it starts feeling like a compilation of Instagram reels with uplifting music that promotes the messages of ‘Live, laugh, love.’ Regardless, “Eine Million Minuten” is an endearing drama that shows a family growing up as a unit.

A Million Minutes Movie Poster (2024)

A Million Minutes (2024)

Eine Million Minuten

Directed by: Christopher Doll
Starring: Tom Schilling, Karoline Herfurth, Pola Friedrichs, Piet Levi Busch, Hassan Akkouch, Anneke Kim Sarnau, Rúrik Gíslason, Ulrike Kriener, Joachim Król, Godehard Giese, Sara Fuchs
Screenplay by: Monika Fäßler, Tim Hebborn, Malte Welding, Ulla Ziemann, Christopher Doll
Production Design by: Christian M. Goldbeck
Cinematography by: Andreas Berger
Film Editing by: Alexander Dittner, Laura Wachauf
Art Direction by: Victor Pétur Ólafsson
Music by: Dascha Dauenhauer
MPAA Rating: None.
Distributed by: Warner Bros. Pictures (Germany, Austria, Switzerland)
Release Date: February 1, 2024

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