Grégory Gadebois | Movie Guide International

An Ordinary Case (2024)

August 14, 2024August 14, 2024 - by artmeetsworld

An Ordinary Case uses a series of flashbacks illustrating the various accounts of the suspects. (A local bar owner who is Nicolas’s only friend is also accused of involvement in the murder.)

Coup de Chance (2024)

February 14, 2024February 14, 2024 - by artmeetsworld

Coup de Chance movie storyline. Fanny and Jean have everything of the ideal couple: fulfilled in their professional life, they live in a magnificent apartment in the uptown of Paris.

Final Cut (2023)

August 14, 2023August 14, 2023 - by artmeetsworld

“Final Cut” follows the making of a Z-grade horror movie within the movie, which is presented without commentary during the movie’s first half hour or so.

Everything Went Fine (2023)

August 9, 2023August 9, 2023 - by artmeetsworld

Everything Went Fine movie storyline. Emmanuèle is a fulfilled and accomplished novelist, both in her private and professional life.

Waiting for Bojangles (2022)

June 21, 2022November 20, 2022 - by artmeetsworld

A young boy, Gary, lives with his eccentric parents and an exotic bird in a Parisian apartment – each night Camille and Georges dance lovingly to their favourite song, Mr Bojangles. At home, there is only room for fun, fantasy and friends. But as his mesmerizing and unpredictable mother descends deeper into her own mind, it is up to Gary and his father, Georges, to keep her safe.

Redoutable Movie Trailer (2018)

February 11, 2018August 7, 2022 - by artmeetsworld

Redoutable Movie Trailer. Michel Hazanavicius directs French star Louis Garrel as Jean-Luc Godard in this film about the subject’s second marriage and political activism. It feels both trivializing and audacious to treat the political radicalization and marriage breakup of Jean-Luc Godard as something verging on a buoyant comedy, but that’s what Michel Hazanavicius has done in Redoubtable.

Redoutable (2018)

February 11, 2018August 7, 2022 - by artmeetsworld

Redoutable Movie Storyline. Paris, 1967. Jean-Luc Godard, the maker of “A bout de souffle”, “Le Mépris” and “Pierrot le fou”, idolized by critics and intellectuals, is shifting from revolutionizing cinema to becoming a revolutionary tout court. Isn’t he shooting “La Chinoise”, more a political tract in favor of Maoism than an actual movie?