The Assistant Movie Storyline. The film follows one day in the life of Jane (Julia Garner), a recent college graduate and aspiring film producer, who has recently landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant’s – making coffee, changing the paper in the copy machine, ordering lunch, arranging travel, taking phone messages, onboarding a new hire. But as Jane follows her daily routine, she, and we, grow increasingly aware of the abuse that insidiously colors every aspect of her work day, an accumulation of degradations against which Jane decides to take a stand, only to discover the true depth of the system into which she has entered.
The Assistant is an American drama film written and directed by Kitty Green and starring Julia Garner, Matthew Macfadyen, Kristine Froseth, Makenzie Leigh, Noah Robbins, Dagmara Domińczyk and Purva Bedi. It had its world premiere at the Telluride Film Festival on August 30, 2019. It released on January 31, 2020, by Bleecker Street.
Film Review for The Assistant
Treating an incendiary issue in an austere, minimalist manner has turned “The Assistant” into an arresting independent drama. Few things are more difficult for narrative features than creating a compelling scenario out of current events, but writer-director Kitty Green, with a big assist from star Julia Garner, has made it happen. “The Assistant” is less bombastic than you might expect, and that is all to the good.
Green, an Australian documentary filmmaker who also produced and co-edited here, has said that she was interviewing for another film when the Harvey Weinstein sexual abuse scandal broke and pushed the earlier project out of her mind.
Though Weinstein may have provided the initial inspiration, the story here was constructed from what Green says are the thousands of stories she collected in numerous work environments that went beyond just the film business.
The structure, a bit daring for a feature-length film, is a single day in the life of Jane, the low assistant on the totem pole in the office of a New York mogul identified only as “the Chairman,” someone connected enough to get invitations to the White House.
We never actually see this eminence, but we do go through an entire Monday with Jane, starting with an early morning car ride in from Queens to physically open up the office.
If there is a mundane task to be done, Jane is tasked with doing it, and we see her taking on mind-numbing stuff like endless Xeroxing, opening boxes of bottled water and making last-minute travel arrangements (in L.A., the Chairman prefers the Peninsula).
There are also jobs that have something sketchy about them, like unpacking syringes and writing checks for large sums that have no recipients’ names on them.
Green’s documentary background stands the film in good stead here. Working with cinematographer Michael Latham, her lean, efficient, “just the facts, ma’am” style enhances the core of verisimilitude that is one of “The Assistant’s” strengths. Because Jane’s role is so non-demonstrative, the gifts of star Garner, an Emmy winner for “Ozark,” are much needed.
Garner has the kind of presence that makes us want to watch no matter what is going on, and makes us receptive as we gradually find out some of Jane’s personal information, like her desire to eventually become a producer and her regret at being so overwhelmed that she forgot to call her father on his birthday.
One of the shrewd decisions “The Assistant” makes is one of omission, to avoid the obvious situation of Jane being a subject of sexual harassment herself. Instead, she is put upon in different ways.
Though still a relative newcomer after five weeks on the job, Jane feels the full brunt of the psychological abuse that seems to be the office’s modus operandi.
Not only does no other employee take any time to be so much as borderline pleasant, the two other male assistants in the chairman’s office mostly (but not entirely) give her a hard time every chance they get.
Worst of all is the chairman, a verbally abusive law unto himself, who metes out savage attacks should Jane happen to say the wrong thing as she negotiates the byzantine complications of the inevitably angry people who want to get her boss on the phone.
The turning point in Jane’s day comes when another young woman enters the office, an attractive blonde waitress (Kristine Froseth) the chairman met in Sun Valley who is inexplicably being put up in a luxury hotel while being trained as yet another assistant.
Fearful because of this and other signs that her boss is taking advantage of women, Jane decides to do something, taking a course of action that leads to an especially fraught situation.
Because what “The Assistant” is especially good at is depicting how a company-wide culture of psychological abuse and mind games perpetuates itself, how powerful people whipsaw the emotions of those below them. Its restrained, deliberate style is ideally suited to making the point that people without restraints are capable of anything.
The Assistant (2020)
Directed by: Kitty Green
Starring: Julia Garner, Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, Noah Robbins, Stéphanye Dussud, Juliana Canfield, Alexander Chaplin, Dagmara Dominczyk, Bregje Heinen
Screenplay by: Kitty Green
Production Design by: Rachel Dainer-Best
Cinematography by: Michael Latham
Film Editing by: Kitty Green, Blair McClendon
Costume Design by: Rachel Dainer-Best
Set Decoration by: Dani Broom-Peltz
Art Direction by:
Music by: Tamar-kali
MPAA Rating: R for some language.
Distributed by: Bleecker Street
Release Date: January 31, 2020
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